It’s been years since I last chose to read instead of to sleep. I was captivated, consumed by this new world. Mistborn isn’t simply a world of magic and wonder; no, it’s full of logic and physics and politics and religion. I wanted to know how this world worked, and I could not stop thinking about how everything in the Mistborn world simply made sense. I read the whole trilogy in a span of two weeks, which is very, very fast for me. It could have been only one week, too, but I had to resume work after the new year and could no longer spend the whole day reading.
World building aside, a major selling point for me was that each book in the trilogy was complete on its own. There was just enough of a cliffhanger at the end of each book, enticing readers such as myself to read the next one, without sacrificing the conclusion and wholeness of the current book. This is a big deal. Some trilogies have books that seemed to be written simply as a lead into the final book. (I’m talking about you, Catching Fire, even if I did inhale The Hunger Games trilogy.) Brandon Sanderson made sure each book had its own complete plotline, all of which kept me hooked.
I also loved the characters. I fell in love with Elend Venture right away, and I loved his character development. I also liked how every main character got their fair share of screen (or page) time, and I was particularly interested in reading Marsh’s plotline. I don’t think there was any character in Mistborn that I didn’t quite like, yet all of them were so different that it was interesting to read how they interacted. This includes the humor thrown around in the trilogy. Even when the world was falling apart and all hope seemed lost, the characters found some humor in their situations. I thought this was a nice reprieve from impending doom that the characters were definitely going to face.
Final thoughts: I am so glad I read this series. If I’d read this a few years ago, I might not have appreciated it as much I do now. I feel that high fantasy is a genre I’d work towards reading, so I would not recommend this to someone who has only started dabbling with fantasy. (Case in point: I read Eragon in high school and could not appreciate it then. Only after reading several Neil Gaiman and VE Schwab books did I start appreciating other worlds outside of Harry Potter. My friends recommended Mistborn to me after I’d told them I was reading The Name of the Wind.) What next? A newfound friend recommended the Wax and Wane series and another recommended The Stormlight Archive. I could go deeper into this world or search out new ones by the same writer. Til next time.
This one captured my heart from page one. It held no punches, and Benjamin Dreyer wasted no time in telling me that I should really stop using filler words in my writing. (I did that on purpose.)
This book is a great guide and refresher to the rules of writing, and I plan to reread it (maybe) once a year to make sure I don’t fall back into my bad writing habits. With that said, Dreyer’s English is a reference book that I will definitely keep within arm’s reach especially whenever I need to make a point about the usage of “lay” as opposed to “lie.” Add on to this the non-use of apostrophes for pluralizing words. Please, stop and think, people. Perhaps I can give this book as gifts to those people just to get my point across? I will need to stock up on the book though, and it isn’t that cheap…
The target audience of this book is the adult American. This book talks about rules of American English and not British English. (Yes, these are distinct.) I noticed while reading that Filipinos blend the two English languages, so if you don’t live in America, don’t feel too affected by some of the rules in this book—unless, of course, you are writing in American English then by all means, yes, please follow these rules.
All in all, this was a highly informative and entertaining read. Who said learning can’t be fun? (Correct answer is no one—learning is always fun.)
During my grand detour, I picked up a few CanLit reads from my two favorite bookstores, Bakka-Phoenix Books and Indigo. I couldn’t purchase too many because (1) I had (and still have) a large pile of books to be read; and (2) I couldn’t fit too many books in my luggage. I ended up a total of four books, and I loved them all. Slightly wish I could have picked up more, but luggage restrictions did not permit…
A lot of the CanLit books on Indigo’s We the North shelf touched on immigration. This wasn’t too surprising, and it reminded me of the new immigrant welcome-ish posters I used to see around Toronto. Anyway, a disclaimer: the We the North shelf was not big enough to accommodate all CanLit works. I also looked for (what I thought were) less mainstream books since I wanted to broaden my scope. The ones I picked up only cover a small portion of CanLit.
Here’s my list of CanLit reads in order of date read.
Another story collection, Cory Doctorow’s Radicalized (see: Novel Reactions: Radicalized) touched on a lot of what if scenarios. This one didn’t seem to be set in Canada (or exclusively in any state), but it was a great read nonetheless.
Children of the Moon
Children of the Moon (see Novel Reactions: Children of the Moon) is an immigrant story of sorts. It focuses on the hardships faced by two characters, both of whom have reached old age by the time they were recounting their stories. It was quite the emotional read, so be ready to decompress after finishing this book.
The Saturday Night Ghost Club
The Saturday Night Ghost Club surprised me. I’m still not over it. Based on the title, I was expecting the story to be more along the lines of Goosebumps (remember that?), but it was totally different. I loved it so much that if I could only recommend one among the four books, I would pick this in a heartbeat.